ComiCon and other musings of a muggle mind (dear God, I just made a J.K reference)
Friday, August 22nd, 2008
Oh snap, its ComiCon time. That wonderful, exciting, occasionally confusing, time of year where nerdlings gather from far and near! Yes, I know that in the States ComiCon has already been, but here in Canada it starts this weekend. Not sure how it works in San Diego, but here in Toronto it’s a festival of awesomeness as Comics, Science Fiction, Horror, Anime, and Gaming establish a weekend truce and come together as “FanExpo”…but call it ComiCon. Yeah, so we’re heading there this weekend—Saturday morning in fact, right after I print and maybe pick up the first ‘zine 2008 issues (a campus publication). Should be fun, we’ll take lot of pictures so everyone can see what it’s all about. I’m not going to lie; I’ve experienced some serious extremes there in the past. I’ve been completely overjoyed to see the Red vs. Blue guys there and I’ve also been scared shitless seeing an R2D2 unit rolling around (how the fuck?) as well as some decked out anime otaku—complete with bunny ears and sexual ambiguity. Regardless, we’ll keep you posted.
The comic: it will return on Tuesday, as promised, and it will look a lot better. I’ve been going over all the old comics and wow, they were pretty damn crude. Crude like cave paintings. Well I think that the 40-issue mark is a good place to refresh the art, to bitch slap my artistic skills into focus, so to speak. On that note, I drew the next couple of issues in a different style from each other, but will stick with the latter. You’ll see what I mean in the coming weeks.
In other, unrelated news, I’ve been watching the series Mad Men and it is definitely an interesting find. I love how not only is it set in the late 1960s, but how it shatters white-picket fence, warm apple pie Americana preconceptions of that “innocent” era perpetuated by the media (then and now) and how it actively pits the advertising guys against counter culture hippies. Similar to Studio 60’s social and political commentary, Mad Med’s clashing ideologies certainly makes for some very compelling dialogue. Anyways, I could write stacks of essays on the interesting interplay between the two, or on the complex gender representations, or on the show’s commentary on current social and political circumstances, but I won’t because it’s easier if you just watch the show.
–Adam



















